Ils parviennent même à convaincre la division claviers de Yamaha. Heureusement, une bande d'ingénieurs japonais se passionnent pour ce principe. Les circuits numériques – indispensables pour la FM – sont encore trop chers à développer. Pourtant, aucun constructeur ne souhaite investir dans cette approche de la synthèse. En 1973, son inventeur, un certain John Chowing, professeur à l'université de Stanford, dépose même un brevet.
Pourtant, cette dernière existe depuis un petit moment.
Grâce à des algorithmes, la FM est en mesure de générer une multitude de sons (inédits, qui plus est) avec une grande précision. Elle arrive en 1983 avec le Yamaha DX7 et la synthèse FM. Après une décennie sous le règne de l’analogique, les producteurs et musiciens attendent la prochaine révolution. In this article I’ll explore the DX7 and other DX synths, I’ll look at how they work, and then play some songs they were used in. Because of this, the DX7's presets were used more than new sounds, so the same recognisable sounds started to crop up in pop and rock sounds from 1983 onwards. Programming sounds was also cumbersome on the DX synths, involving menu diving and adjusting of numbers and ratios to create a new sound.
The FM technology was used in an earlier synths, such as the Synclavier I & II, and the Yamaha GS1, however these were all super expensive synths, so the DX line was Yamaha’s bid at making an affordable FM synthesizer for working musicians.įM synthesis was complicated, especially compared to the simple monosynths and polysynths before it. Although released in 1983, the technology behind it was developed in 1967 by John Chowning, a professor at Stanford University. The DX7 generated its sound using a new method of synthesis called FM synthesis, which allowed it to create percussive sounds, metallic sounds, and acoustic sounds such as flutes. For a producer, the DX7 meant more sonic options in one box, and more versatility in a recording studio. Along with its eventual spiritual successors, the Roland D-50 and Korg M1, the DX7 marked a move away from warm analog sounds, to complex digital sounds. It was released in 1983, and was the first digital synthesizer to have an impact on popular music. Many of these sounds came from one synthesizer: the Yamaha DX7. When you think of 80s music, some of the sounds that come to mind are sparkly electric pianos, metallic basses and cheesy orchestral elements.
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